FPV gets you the shot that used to require a crane, a dolly, a Steadicam operator and three cuts — in one take.
FPV through the Quarter's narrow streets and courtyards is some of the most atmospheric work available anywhere, and some of the most restricted. Where the exterior is not workable, the interiors — balconies, stairwells, courtyards — deliver the same feeling with far fewer obstacles.
Speed, tight interiors, dives, chases, through-the-window one-ers. FPV is the tool when the move itself is the point. It is also the least forgiving discipline in aerial work: there is no hover, no second chance mid-run, and the margin for error inside a practical location is measured in inches. Ours is flown by pilots who have done it on sets with talent in frame.
Louis Armstrong International sets Class C west of the city, leaving much of the urban core workable with authorization. The river traffic and the helicopter activity supporting offshore operations are the local factors that catch visiting crews out.
Louisiana's incentive built and kept a professional crew base here, and Second Line Stages anchors it. The market is smaller than Atlanta's but the people are experienced and the rates are reasonable.
We shoot the French Quarter, the river, the bayou, and the Garden District — and we travel. CineDrones works nationwide, so if your production is basing in New Orleans and shooting somewhere else entirely, that is a normal week for us.
FPV DRONE PILOT — OTHER MARKETS: Albuquerque Atlanta Austin Chicago Las Vegas Los Angeles Miami New York Salt Lake City