Stills carry different requirements than motion — resolution, latitude, and the patience to wait out the light.
Aerial stills for tourism, hospitality, editorial and the productions that shoot here. Humidity and afternoon storms compress the usable window in summer, so the shoot is built around morning light more often than not.
Aerial stills for key art, campaigns, editorial, architecture and listings. We shoot raw, deliver graded or flat depending on what your retoucher wants, and we plan around the sun rather than around the schedule where the schedule allows it. The same certification and insurance apply as on any motion job, because the airspace does not care what you are capturing.
Summer humidity and near-daily afternoon storms compress the usable window badly from June to September. Autumn through spring is the working season, and Mardi Gras reshapes the entire city's logistics for weeks.
Louis Armstrong International sets Class C west of the city, leaving much of the urban core workable with authorization. The river traffic and the helicopter activity supporting offshore operations are the local factors that catch visiting crews out.
We shoot the French Quarter, the river, the bayou, and the Garden District — and we travel. CineDrones works nationwide, so if your production is basing in New Orleans and shooting somewhere else entirely, that is a normal week for us.
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