Stills carry different requirements than motion — resolution, latitude, and the patience to wait out the light.
Aerial stills for commercial, fashion and hospitality campaigns, shot to the same standard as the motion work and by the same crew. The marine layer moves fast enough that the shoot is planned around a window, not a day.
Aerial stills for key art, campaigns, editorial, architecture and listings. We shoot raw, deliver graded or flat depending on what your retoucher wants, and we plan around the sun rather than around the schedule where the schedule allows it. The same certification and insurance apply as on any motion job, because the airspace does not care what you are capturing.
Hurricane season runs June through November and brings temporary flight restrictions along with the weather. Winter and early spring are the prime window, which is exactly when the market is busiest and books out furthest.
Miami International anchors Class B across the metro, with Fort Lauderdale and Opa-locka adding their own airspace to the north. The beach corridor everyone wants sits under the busiest of it. Add hurricane-season temporary restrictions and a marine layer that moves fast, and the planning window here is genuinely shorter than producers expect.
We shoot South Beach, the causeways, Brickell, and the water — and we travel. CineDrones works nationwide, so if your production is basing in Miami and shooting somewhere else entirely, that is a normal week for us.
High-resolution stills payloads with the latitude to hold a sky and a shadow in the same frame.
Our aerial units have worked on Ozark, Jack Ryan, Bosch, Mayans M.C., SEAL Team, NCIS: New Orleans, Fear the Walking Dead, American Horror Story, Modern Family, 9-1-1, Goliath, The Resident, Raising Dion, Castle Rock, Doctor Sleep and Chef's Table, for Netflix, Amazon, Apple, HBO, Hulu, Showtime, Sony, CBS, AMC, MTV and Bravo. See the work →
Raw files as standard, plus graded selects if you want them. We will deliver flat if your retoucher would rather start clean. Nothing is baked in that you cannot undo.
That is usually the plan. The constraint is rarely the light — it is getting authorization for the specific location at the specific hour, which is why these shoots get planned rather than improvised.
Commercial aerial photography carries the same requirements as motion work: a certificated pilot, airspace authorization where applicable, and usually a location permit. The airspace does not care whether you are shooting stills or motion.
DRONE PHOTOGRAPHY — OTHER MARKETS: Albuquerque Atlanta Austin Chicago Las Vegas Los Angeles New Orleans New York Salt Lake City