A drone show is the only outdoor spectacle you can reshape the night before and reuse the year after.
LA drone shows are premieres, studio activations and brand launches, which means flying over an invited crowd in some of the most congested controlled airspace in the country. The show design is the easy half. The airspace case and the crowd safety plan are what take the lead time.
Choreographed light shows for sports, corporate events, festivals and brand activations. The work is half animation and half aviation: the show is designed like motion graphics, then flown under an airspace plan with the safety case a public crowd requires. We consult on shows nationwide as well as fly them.
Film permits for the City and County of Los Angeles run through FilmLA, and a drone unit adds requirements a ground-only permit does not carry. Nearly everything worth shooting also sits inside the Thirty Mile Zone, which changes how your day is budgeted before a single rotor turns.
LA works year round, which is why it became LA. June gloom flattens coastal mornings into July, and the Santa Anas bring the clearest air and the worst flying conditions of the year at the same time. Fire season now closes airspace with little notice.
We shoot the Hollywood sign, downtown, the coastline from Malibu to Palos Verdes, and the studio lots — and we travel. CineDrones works nationwide, so if your production is basing in Los Angeles and shooting somewhere else entirely, that is a normal week for us.
Fleet sized to the design rather than a fixed package, because resolution in the sky is a function of aircraft count.
Our aerial units have worked on Ozark, Jack Ryan, Bosch, Mayans M.C., SEAL Team, NCIS: New Orleans, Fear the Walking Dead, American Horror Story, Modern Family, 9-1-1, Goliath, The Resident, Raising Dion, Castle Rock, Doctor Sleep and Chef's Table, for Netflix, Amazon, Apple, HBO, Hulu, Showtime, Sony, CBS, AMC, MTV and Bravo. See the work →
It depends entirely on what you want in the sky. Simple logos and text need far fewer aircraft than animated sequences. We size the fleet to the storyboard rather than selling a package and cutting the design to fit.
Longer than most clients expect. The airspace approval and the safety case are the schedule drivers, not the animation. Start the conversation months out for anything over a public crowd.
There is a defined go/no-go framework agreed before the event, with wind and visibility limits set in advance. Building the contingency into the contract is part of doing this properly.
DRONE LIGHT SHOWS — OTHER MARKETS: Albuquerque Atlanta Austin Chicago Las Vegas Miami New Orleans New York Salt Lake City