Sometimes the drone is not the camera. It is the lamp you could not otherwise get into position.
Desert night exteriors outside the city have no ambient light and no power within a mile of where you want the camera. Aerial lighting solves both at once, and the dry air and open terrain make it far more predictable here than in a coastal or mountain market.
Airborne lighting units standing in for a helicopter searchlight, moonlight over a wide exterior, a police spot, or a source that has to move with the shot. On night exteriors where a condor cannot reach or cannot get there in time, an aerial unit puts the light exactly where the DP wants it and moves it between setups in seconds.
Summer daytime heat genuinely degrades battery performance and shortens flight times, which pushes serious work to early morning and after dark from June through September. Winter is the best flying weather in the country, and wind is the only real variable.
Vegas runs on residencies, fights, conventions and stadium events, which means the calendar and the airspace move together. Allegiant Stadium draws a temporary flight restriction on game days. Sphere changed what producers expect an establishing shot to look like. The work here rewards a unit that reads the event calendar as carefully as the call sheet.
We shoot the Strip, Fremont Street, Sphere, Allegiant Stadium, and the desert an hour in any direction — and we travel. CineDrones works nationwide, so if your production is basing in Las Vegas and shooting somewhere else entirely, that is a normal week for us.
AERIAL LIGHTING — OTHER MARKETS: Albuquerque Atlanta Austin Chicago Los Angeles Miami New Orleans New York Salt Lake City