FPV gets you the shot that used to require a crane, a dolly, a Steadicam operator and three cuts — in one take.
A lot of Atlanta's FPV work is on stage rather than on location — long continuous moves through standing sets at Trilith, Tyler Perry and the other campuses, where the ceiling height and the build make a one-take possible. Indoors, the airspace question goes away and the flying is pure precision.
Speed, tight interiors, dives, through-the-window one-ers, and chase sequences that never cut — motorcycle to car to foot chase and back again in a single continuous take. FPV is the tool when the move itself is the point. It is also the least forgiving discipline in aerial work: there is no hover, no second chance mid-run, and the margin for error inside a practical location is measured in inches. Ours is flown by pilots who have done it on sets with talent in frame.
Atlanta sits under Hartsfield-Jackson, the busiest airport on earth, and its Class B shelf reaches across most of the metro. LAANC coverage is good here, but the ceilings are real and the traffic underneath them is constant. Suburban production country to the south sits closer to the approach paths than most crews expect.
Atlanta's crew base grew faster than almost any market in the country and is genuinely deep now, but volume means the good people are booked. A unit that can confirm quickly is worth more here than one with a slightly better reel.
We shoot the downtown skyline, the studio campuses, and the Georgia countryside — and we travel. CineDrones works nationwide, so if your production is basing in Atlanta and shooting somewhere else entirely, that is a normal week for us.
Cinema FPV airframes built for the payload rather than racing frames with a camera strapped on, flying anything from a GoPro to cinema cameras depending on what the shot needs.
Our aerial units have worked on Ozark, Jack Ryan, Bosch, Mayans M.C., SEAL Team, NCIS: New Orleans, Fear the Walking Dead, American Horror Story, Modern Family, 9-1-1, Goliath, The Resident, Raising Dion, Castle Rock, Doctor Sleep and Chef's Table, for Netflix, Amazon, Apple, HBO, Hulu, Showtime, Sony, CBS, AMC, MTV and Bravo. See the work →
With the right crew and the right protocol, yes — and it is flown around talent on major productions constantly. The protocol is the product: rehearsed runs, a defined corridor, a spotter, prop guards where appropriate, and a pilot who will call it off.
More rehearsal than the shot suggests. The run is choreographed with the AD, walked, then flown clean several times before anyone is in frame. The take you see is usually attempt eight or nine, and that is normal.
Often yes, and indoors the federal airspace question largely disappears — it becomes a property access and safety question instead. Interiors are where FPV does some of its best work.
FPV DRONE PILOT — OTHER MARKETS: Albuquerque Austin Chicago Las Vegas Los Angeles Miami New Orleans New York Salt Lake City
Get ready to elevate your production to new heights with CineDrones! Operating in Los Angeles, Las Vegas, New York, Albuquerque, Austin, Atlanta, Chicago, Miami, Salt Lake City, and New Orleans, we bring the power of cutting-edge drone technology to every project. Whether you're capturing breathtaking aerial footage, thrilling FPV shots, or immersive drone-based virtual reality, our expert teams of FAA-certified pilots, aerial camera pros, and drone techs have you covered. Fully compliant with Part 107 regulations and protected by a $5M aviation liability policy, we guarantee precision, safety, and creativity. Plus, with Local 600 union and non-union crews available, we’re ready to deliver jaw-dropping results wherever you need them!