A drone show is the only outdoor spectacle you can reshape the night before and reuse the year after.
Albuquerque has an unusually strong cultural association with things in the sky, and the open airspace outside the metro makes show siting far easier than in a Class B city. Elevation still cuts into aircraft performance and has to be designed around.
Choreographed light shows for sports, corporate events, festivals and brand activations. The work is half animation and half aviation: the show is designed like motion graphics, then flown under an airspace plan with the safety case a public crowd requires. We consult on shows nationwide as well as fly them.
The New Mexico Film Office coordinates statewide and is unusually accessible for a state film office. Federal and tribal land each carry their own authorities, and that distinction matters more here than in most markets.
Elevation and heat combine in summer to reduce what an aircraft can lift and how long it stays up, which is a genuine planning input rather than a footnote. Monsoon season brings sharp afternoon storms. Autumn light here is as good as it gets anywhere.
We shoot the Sandias, the high desert, the studio campuses, and the mesas — and we travel. CineDrones works nationwide, so if your production is basing in Albuquerque and shooting somewhere else entirely, that is a normal week for us.
Fleet sized to the design rather than a fixed package, because resolution in the sky is a function of aircraft count.
Our aerial units have worked on Ozark, Jack Ryan, Bosch, Mayans M.C., SEAL Team, NCIS: New Orleans, Fear the Walking Dead, American Horror Story, Modern Family, 9-1-1, Goliath, The Resident, Raising Dion, Castle Rock, Doctor Sleep and Chef's Table, for Netflix, Amazon, Apple, HBO, Hulu, Showtime, Sony, CBS, AMC, MTV and Bravo. See the work →
It depends entirely on what you want in the sky. Simple logos and text need far fewer aircraft than animated sequences. We size the fleet to the storyboard rather than selling a package and cutting the design to fit.
Longer than most clients expect. The airspace approval and the safety case are the schedule drivers, not the animation. Start the conversation months out for anything over a public crowd.
There is a defined go/no-go framework agreed before the event, with wind and visibility limits set in advance. Building the contingency into the contract is part of doing this properly.
DRONE LIGHT SHOWS — OTHER MARKETS: Atlanta Austin Chicago Las Vegas Los Angeles Miami New Orleans New York Salt Lake City